So well does Penman integrate her assiduous research into her tale that we have no doubt that this is the way it must have been. She also eschews the traditional “turbulent priest” scene in favor of one that is more historically plausible. My sympathy for both Eleanor and her rival Rosamund Clifford speaks to Penman’s mastery of character development. Ranulf’s fictional nature is almost disappointing, so clearly does he leap from the page. And Becket, the king’s chancellor and boon companion turned man of God, whose inexplicable and sudden devotion to the church sets him against many, Henry most of all.Īnother fine creation is Ranulf, half-brother to the Empress Maude, who finds his loyalties torn between England and Wales. Eleanor of Aquitaine, the beautiful, strong-willed heiress whose transformation from Henry’s beloved queen to his bitter former confidante progresses in an entirely believable manner. Henry Plantagenet, the vigorous young king, whose political and religious differences with Thomas Becket cause insurmountable problems. Here in full color are the trio who brought life to the early medieval world. To many, her story will be familiar, but Penman has the gift of presenting it as if we had never read it before. A new Penman novel is always cause for celebration.
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